A visit to the pope’s old haunts.

Let’s be real: When it comes to the best films of a given year, the best film is the one you liked best.

The film addresses the weightiest questions confronting the church—and not just about financial crimes and sexual abuse.

The fact that there is a big-screen “Mr. Rogers movie” is no surprise, nor is the casting of Tom Hanks as the children’s television host.

“Parasite” delivers an epic lesson in class warfare.

Noah Baumbach’s remarkably scripted new film might just as well have been called “End of a Marriage Story.”

The filmmaker Errol Morris gives us several reasons to recoil in his controversial profile and interview with the former White House strategist Steve Bannon.

Scorsese is certainly the great Catholic filmmaker of our times, one who regards sin as something that must be confronted or even embraced in order to be understood.

François Ozon has created a film that is connected organically to its subject matter, one that breathes and writhes and grieves in synch with its victims.

Growing up, the plan for Pedro Almodóvar was to become a priest. Instead he became one of the world’s great directors.