“Wildcat,” the new film by Ethan Hawke about the life of Flannery O’Connor, is not your typical biopic, a fact that seems entirely appropriate since O’Connor is not your typical writer.

“Killers of the Flower Moon” makes a case that 80 is the new 30: Martin Scorsese, the most prominent of American auteurs and champion of film history, continues as an octogenarian to explore and expand the possibilities of the medium and scour his own soul.

Why can’t Hollywood reinvent ‘The Exorcist’? Money, lots of it, can be the only reason why any studio would invest in this franchise.

‘The Exorcist’ has popularized a trivial, superficial picture of the Christian understanding of evil.

Neither Barbie nor Oppenheimer directly apologizes or asks for forgiveness, and neither can truly dismantle the damage they have done.

Greta Gerwig has made a movie as layered and paradoxical as the reputation of Barbie itself.