The new Netflix adaptation fails to capture what made the original not only beautiful, but also of great interest for Catholics.

“The Godfather Part III” (1990) is the most explicitly Catholic entry in the series.

John Gregory Dunne had a unique ability in his writing—fiction or not—to show the saintly and the sinner all at once.

“The Paradoxical Commandments” peal out a truth that no one wants to hear: Doing right is its own reward. And it was formulated by, of all people, a teenager.

Despite his performative Catholicism, Michael Corleone puts more stock in the American vision of freedom than the Christian one.

Tom Wolfe would have loved to write about a debate between a billionaire former president who is also a convicted felon and an octogenarian sitting president whose public mental lapses are vociferously denied by many of his own confidantes.